Saturday is the start of the BloomingPlays development series. This weekend features two all-day workshops where plays are read and then structured feedback given immediately by the actors and audience. It’s a great way for playwrights to develop their work and hone their skills. The revised plays will be back in November and then January for additional reads.
Kindred, the one-act play I wrote with Lori Garraghty, is up for a read on Sunday at 2. I’m nervous about the feedback. It will be facilitated and I know people will be nice, but it’s always a little nerve-wracking to have someone critique your work!
I’ll also be reading the part of Lena in Auditions Saturday morning at 11. Sunday at 11 I’m in The Dragon’s Wrath. Both are full-length plays. They will be “table reads” but “without the table” as Tracy Bee says. The actors set in chairs on stage and read from the script. The facilitator reads the stage directions.
The most nerve-wracking part of all is a phone sex scene I have to play in The Dragon’s Wrath! Eek! I’ve never done anything like it and suspect it will be the source for ongoing mocking from Gabe, perhaps for the rest of my life. I’m wondering if I can have a coughing fit in the midst of it. I envision either being so embarrassed that I can’t pull it off, or laughing so hard I fall off my chair. Either is sufficiently mortifying. Ah, acting!
See the full schedule of readings at the BPP’s site and come out! It will be a lot of fun and a unique experience. You get to give feedback directly to playwrights, who may actually listen! Imagine! 😉 Seriously, come out. We’d love to hear from you.